#Where to put magix soundpool for mac os#
#Where to put magix soundpool Patch#
#Where to put magix soundpool software#

The amp section thus has most of the controls you'd expect to find on aВ wellвЂ‘endowed guitar amp - preamp gain and master volume, aВ tone stack with passive bass, mid and treble controls, and builtвЂ‘in reverb - but these are joined by some less familiar ones.

#Where to put magix soundpool Patch#

Fortunately, you can save presets for the amp and speaker section independently of the global presets, so in practice it's easy to instantly call up aВ Vox or Fender patch as aВ starting point for further tweakery. The idea here is that there is only one guitar-amp model and one bass-amp model, but both are hugely flexible, so getting that Bassman or AC30 sound is just aВ matter of setting up the controls appropriately. Where Vandal differs from most amp simulators is that you don't choose from aВ range of authenticвЂ‘looking virtual amps with names like 'Fendah Baseman' and 'Vocks AC31'. Everything fits neatly into one large window, with no scrolling or multiple pages, though some more advanced controlsВ are hidden unless you hit the adjacent spanner icons. It then meets the amp, cabinet and room/miking sections, before emerging via up to two postвЂ‘amplifier 'rack' effects. Your guitar input is first trimmed in level and, if you wish, gated, before passing through aВ tuner and aВ virtual pedalboard, where up to four stomp-boxes can be placed in series. It follows the wellвЂ‘established paradigm whereby signal flows, conceptually, from the top downwards. Most amp simulators have smartвЂ‘looking user interfaces, and Vandal is no exception. Mine isn't, and it took aВ couple of emails to Magix's tech support to obtain aВ valid authorisation code. It's authorised using aВ kind of challengeвЂ‘andвЂ‘response system that probably works very well if your studio computer is connected to the Internet.

#Where to put magix soundpool for mac os#

Vandal is available as aВ plugвЂ‘in for Mac OS and Windows, in VST and Audio Units formats. They also say that this goal cannot be realised using convolution: instead, every aspect of the amplifier and cabinet needs to be modelled algorithmically, in order to reproduce the dynamic qualities of the real thing. Magix claim that Vandal, unlike rival products, really captures the responsiveness and interactive qualities of aВ real valve amp. AВ common complaint is that amp simulators fail to capture the allвЂ‘important 'feel' of aВ true valve amplifier, the sense of reaction and interaction that helps to bond player, instrument and amplifier into aВ single unit. So can Magix's Vandal really offer anything new or different? Anyone who owns aВ guitar and aВ Mac or PC already has the pick of innumerable packages from Line 6, Native Instruments, Waves, IK Multimedia, McDSP, Avid, Softube, Peavey, Studio Devil and many more. 'Oh great,вЂќ thought I, as IВ opened the large envelope on my desk.

#Where to put magix soundpool software#

There's no shortage of software guitar-amp simulators around, but Magix claim that their new Vandal has what it takes to stand out from the crowd.